{"id":76500,"date":"2023-08-14T15:03:43","date_gmt":"2023-08-14T13:03:43","guid":{"rendered":"https:\/\/venezianews.org\/?page_id=76500"},"modified":"2023-08-23T19:23:27","modified_gmt":"2023-08-23T17:23:27","slug":"venice-classics","status":"publish","type":"page","link":"https:\/\/venezianews.org\/en\/daily2023\/venice-classics\/","title":{"rendered":"Venice Classics"},"content":{"rendered":"\t\t
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VENICE CLASSICS<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"ANDREJ<\/figure><\/a><\/div><\/div>

ANDREJ RUBLEV \u2013 DIRECTOR\u2019S CUT<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"BELLISSIMA\"<\/figure><\/a><\/div><\/div>

BELLISSIMA<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"BUGIS<\/figure><\/a><\/div><\/div>

BUGIS STREET<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"CHICHI<\/figure><\/a><\/div><\/div>

CHICHI ARIKI<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"DAYS<\/figure><\/a><\/div><\/div>

DAYS OF HEAVEN<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"KING<\/figure><\/a><\/div><\/div>

KING & COUNTRY<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"LA<\/figure><\/a><\/div><\/div>

LA CAZA<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"LA<\/figure><\/a><\/div><\/div>

LA PROVINCIALE<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"LES<\/figure><\/a><\/div><\/div>

LES CR\u00c9ATURES<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"LIFE<\/figure><\/a><\/div><\/div>

LIFE OF SCHOCK FORCE WORKERS<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"OHIKKOSHI\"<\/figure><\/a><\/div><\/div>

OHIKKOSHI<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"ONE<\/figure><\/a><\/div><\/div>

ONE FROM THE HEART: REPRISE<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"PORTRAIT<\/figure><\/a><\/div><\/div>

PORTRAIT OF GINA<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"PROFUNDO<\/figure><\/a><\/div><\/div>

PROFUNDO CARMES\u00cd \u2013 DIRECTOR\u2019S CUT<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"REBECCA<\/figure><\/a><\/div><\/div>

REBECCA OF SUNNYBROOK FARM<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"SAAZ<\/figure><\/a><\/div><\/div>

SAAZ DAHANI<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"SHADOWS<\/figure><\/a><\/div><\/div>

SHADOWS OF FORGOTTEN ANCESTORS<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"THE<\/figure><\/a><\/div><\/div>

THE EXORCIST<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"THE<\/figure><\/a><\/div><\/div>

THE WORKING GIRLS<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"ULTIMO<\/figure><\/a><\/div><\/div>

ULTIMO MONDO CANNIBALE<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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VENICE CLASSICS DOC<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"BILL<\/figure><\/a><\/div><\/div>

BILL DOUGLAS – MY BEST FRIEND<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"DARIO<\/figure><\/a><\/div><\/div>

DARIO ARGENTO PANICO<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"FRANK<\/figure><\/a><\/div><\/div>

FRANK CAPRA: MR AMERICA<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"KEN<\/figure><\/a><\/div><\/div>

KEN JACOBS – FROM ORCHARD STREET TO THE MUSEUM OF MODERN ART<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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LANDRI\u00c1N<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"LE<\/figure><\/a><\/div><\/div>

LE FILM PRO-NAZI D\u2019HITCHCOCK<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"MICHEL<\/figure><\/a><\/div><\/div>

MICHEL GONDRY, DO IT YOURSELF<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"THANK<\/figure><\/a><\/div><\/div>

THANK YOU VERY MUCH<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\n\t\t
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\"UN\u2019ALTRA<\/figure><\/a><\/div><\/div>

UN\u2019ALTRA ITALIA ERA POSSIBILE, IL CINEMA DI GIUSEPPE DE SANTIS<\/a><\/h3><\/div><\/div>\t\t\t<\/div>\n\t\t<\/article>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

VENICE CLASSICS   ANDREJ RUBLEV \u2013 DIRECTOR\u2019S CUT   BELLISSIMA   BUGIS STREET   CHICHI ARIKI   DAYS OF HEAVEN   KING & COUNTRY   LA CAZA   LA PROVINCIALE   LES CR\u00c9ATURES   OHIKKOSHI   OMBRE DEI PREDECESSORI   ONE FROM THE HEART   PORTRAIT OF GINA   PROFUNDO CARMES\u00cd \u2013 DIRECTOR\u2019S CUT   […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":76489,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-76500","page","type-page","status-publish","hentry"],"yoast_head":"\nVenice Classics - Venezia News<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/venezianews.org\/en\/daily2023\/venice-classics\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Venice Classics - 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